NEW

Photo: Garagefilm International

A Sweetness from Nowhere

New in Swedish Theaters: A tough nut to crack, an art installation for a very small audience

Pressure

New in Global Theaters: Purists will mind how the story’s been changed to fit dramatic purposes, but it’s engaging, including the performances; Andrew Scott stands out

Unabomber

New on Netflix: The two parallel stories don’t gel all that well, but the filmmakers build up to an exciting climax


RECENT

Rental Family

On the verge of becoming too mushy at times, but it has a ring of truth to it and always finds the right path back on track

Death of a Unicorn

Few laughs; plenty of horror, but the film only gets increasingly noisy, with so-so effects

Locked

The ending is spectacular, but the film’s thrills are for the most part more cheap than genuinely exciting


OLDER

Charles Bronson. Photo: Trimark Pictures

Death Wish V: The Face of Death

Premiered in 1994: Boredom sets in, even if the filmmakers add bizarre touches

Charles Bronson. Photo: The Cannon Group

Death Wish 4: The Crackdown

Premiered in 1987: Dumb as always, but well paced at times

Charles Bronson. Photo: The Cannon Group

Death Wish 3

Premiered in 1985: Never dull, but moronic and tasteless, with a lengthy final showdown that turns Kersey into a kind of well-armed Rambo


LONGER REVIEWS

Bad Apples

New in Global Theaters: Increasingly twisted and funny, while maintaining its suspense.

Tatum and Ryan O’Neal. Photo: Paramount

Paper Moon

Premiered in 1973: There’s a charm combined with a pinch of darkness that makes it seem more authentic than you might expect

The Invite

New in Global Theaters: Seth Rogen is first-rate as the thoroughly miserable Joe