Theme of the Month: Horror

NEW

Laura Dern and Liam Hemsworth. Photo: Netflix

LONELY PLANET

New on Netflix: Nothing new under the sun, but Moroccan locations and the stars are OK ingredients

Photo: Sony Pictures Releasing

SATURDAY NIGHT

New in Global Theaters: Intense and brilliantly directed fly-on-the-wall entertainment

Filip Berg. Photo: Netflix

TROUBLE

New on Netflix: A lot of energy goes into a movie that never earns big laughs, but benefits from Filip Berg’s laidback performance


RECENT

Jason Statham. Photo: MGM

THE BEEKEEPER

In many ways a reliable, well-paced Jason Statham banger, even if the star is impossible to hurt or kill

Georgina Campbell, Dakota Fanning, Oliver Finnegan and Olwen Fouéré. Photo: Warner

THE WATCHERS

The director works in the tradition of her father, crafting a well-paced, atmospheric thriller… but the concept is contrived and the final twist feels inevitable

Niels Schneider and Lou de Laâge. Photo: WestEnd Films

COUP DE CHANCE

A fine cast, lovely autumnal views of Paris, and an ending that fits perfectly with the overall theme are among the benefits of this slight but diverting film


OLDER

Emma Watson. Photo: STX Entertainment

THE CIRCLE (2017)

The topic is complex and constantly relevant, but the film’s story is far too simplistic and obvious right from the start

Ethan Hawke. Photo: Universal

THE BLACK PHONE (2022)

Exciting, with a convincing cast of kids; The Grabber isn’t terribly original, but a masked Ethan Hawke is good in the part

Tom Hanks and Beasley. Photo: Touchstone Pictures

TURNER & HOOCH (1989)

The filmmakers do the best they can with the charisma between Hanks’s neat cop and the wild, slobbering Hooch


LONGER REVIEWS

Eva Mendes and Denis Lavant. Photo: Indomina Group

HOLY MOTORS (2012)

The things about Holy Motors that we admire and engage with are more superficial, people and events to behold

Photo: Kino Lorber

GREEN BORDER

A heartbreaker and one of Agnieszka Holland’s very best films

Malcolm McDowell and Helen Mirren. Photo: Penthouse Films International

CALIGULA (1979)

Much of the film is joyless, crass wallowing in filth, sadism and sensationalism